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{"id":2049,"date":"2017-12-05T20:16:45","date_gmt":"2017-12-06T00:16:45","guid":{"rendered":"http:\/\/koreanlit.com\/?p=2049"},"modified":"2018-01-12T00:43:14","modified_gmt":"2018-01-12T04:43:14","slug":"%ea%b4%91%ec%9e%a5%ec%9d%98-%eb%b0%94%eb%8b%a4%eb%a1%9c-%ea%b0%80%eb%8b%a4-going-to-the-square-going-to-the-sea-%eb%b0%95%ec%9e%ac%ec%9b%85park-jaeung","status":"publish","type":"post","link":"https:\/\/koreanlit.com\/%ea%b4%91%ec%9e%a5%ec%9d%98-%eb%b0%94%eb%8b%a4%eb%a1%9c-%ea%b0%80%eb%8b%a4-going-to-the-square-going-to-the-sea-%eb%b0%95%ec%9e%ac%ec%9b%85park-jaeung\/","title":{"rendered":"\uad11\uc7a5\uc758 \ubc14\ub2e4\ub85c \uac00\ub2e4 \u00a0Going to the Square, Going to the Sea\u00a0— \ubc15\uc7ac\uc6c5Park Jaeung)"},"content":{"rendered":"

<\/iframe><\/p>\n <\/p>\n\uad11\uc7a5\uc758 \ubc14\ub2e4\ub85c \uac00\ub2e4 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0(\uc2dc\uc778 :\ubc15\uc7ac\uc6c5)<\/p>\n <\/p>\n\uad11\uc7a5\uc73c\ub85c \uac04\ub2e4<\/p>\n\uac15\uc774 \ub418\uc5b4 \uac04\ub2e4<\/p>\n\ucd1b\ubd88 \uc18d\uc73c\ub85c \uac04\ub2e4<\/p>\n <\/p>\n\uc5b4\ub450\uc6e0\uac70\ub098 \ucd95\ucd95\ud55c \uace8\ubc29\uc744 \ub098\uc640 \uc2a4\uc5b5\uc2a4\uc5b5<\/p>\n\uc55e\uc11c\ub77c \ub4a4\uc11c\ub77c \uc54a\uc544\ub3c4<\/p>\n\uc800\ub9c8\ub2e4 \uc2dd\uc5b4\uc9c4 \uc2ec\uc7a5\uc5d0 \ubd88\uc744 \ubd99\uc5ec<\/p>\n\uc5b4\ub460\uc758 \uc18c\uad74\ub85c \ucff5\u2015\ucff5 \ub2ec\ub824\uac04\ub2e4<\/p>\n <\/p>\n\ucc28\ub9c8<\/p>\n\ub208 \uac10\uc9c0 \ubabb\ud558\uace0 \ub9de\uc774\ud55c \uc544\uc774\ub4e4 \uac80\uc740 \uc2dc\uac04\uc758<\/p>\n\ubc14\ub2e4\ub85c<\/p>\n\ubb3c\uc18d\uc5d0\uc11c \ucc98\uc808\ud788 \uafc8\uc744 \uc783\uc740 \ub098\ube44\ub4e4 \uacc1\uc73c\ub85c<\/p>\n\uac04\ub2e4<\/p>\n <\/p>\n\uac00\uc11c \ub3cc\uc544\uc624\uc9c0 \ubabb\ud558\ub354\ub77c\ub3c4<\/p>\n\uc369\uace0 \uac70\uc9d3\ub41c \ub3c4\uc801 \uc138\uc0c1<\/p>\n\ub728\uac70\uc6b4 \uc2ec\uc7a5 \ud558\ub098\ub85c \ub9de\uc11c \uc8fd\ub354\ub77c\ub3c4<\/p>\n\ucc28\uac00\uc6b4 \ubc14\ub2f7\uc18d\uc5d0 \uc218\uc7a5\ub41c \uc9c4\uc2e4\uc5d0<\/p>\n\ub208\uac10\uc744 \uc218 \uc5c6\uc5b4<\/p>\n\uc774\uc81c \ub354\ub294 \u2018\uac00\ub9cc\uc788\uc744\u2019 \uc218 \uc5c6\uc5b4 \uad11\uc7a5\uc73c\ub85c \uac04\ub2e4<\/p>\n <\/p>\n\ub0a0\uc544\ubcf4\uc9c0 \ubabb\ud55c \uc544\uc774\uc758 \ub0a0\uac1c\ub85c<\/p>\n\ubb3c\ub300\ud3ec\uc5d0 \uba4e\uc5b4\ubc84\ub9b0 \ub18d\ubbfc\uc758 \uc2ec\uc7a5\uc73c\ub85c<\/p>\n\uac10\uc625\uc5d0 \uac07\ud788\uace0, \ucad3\uaca8\ub09c \ub178\ub3d9\uc790\uc758 \uc5bc\uad74\uc774 \ub418\uc5b4 \uc678\uce5c\ub2e4<\/p>\n <\/p>\n\ub3c4\uc801\uc774\uc5ec, \ub0a0\uac15\ub3c4\uc5ec, \uc5b4\ub460\uc774\uc5ec, \ubcf4\uc774\ub294\uac00?<\/p>\n\uace0\uc0ac\ub9ac \uc190\ubd80\ud130 \ubc31\ubc1c\uc758 \uc8fc\ub984 \uc190\uae4c\uc9c0<\/p>\n\uc190\uc5d0 \uc190\uc5d0 \ub4e0 \ucd1b\ubd88\ub4e4<\/p>\n\ubd84\ub178\ub85c \ub118\uce58\ub294 \ucd1b\ubd88\uc758 \uac15\uc744<\/p>\n\uc0dd\uba85\uc774 \ud0c0\uc62c\ub77c \uc0c8 \uc0dd\uba85\uc774 \ubd80\ud65c\ud558\ub294<\/p>\n\uc774 \uad11\uc7a5\uc758 \ubc14\ub2e4\ub97c<\/p>\n <\/p>\n <\/p>\n\u00a0<\/strong><\/p>\n\u00a0<\/strong><\/p>\nGoing to the Square, Going to the Sea\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>(Poet : Park Jaeung)<\/p>\n <\/p>\nWe are going to the square.<\/p>\nWe are going as a river.<\/p>\nWe are going into the candlelight.<\/p>\n <\/p>\nGliding and drifting, out of our darkened and damp back rooms,<\/p>\nWithout anyone telling us to go ahead or behind,<\/p>\nAfter setting fire in our cooled hearts, one after another,<\/p>\nThumping, thumping, we are running toward the den of darkness.<\/p>\n <\/p>\nTo the sea<\/p>\nOf the dark time, which our children had to face<\/p>\nwith open eyes,<\/p>\nWe are going, heartbroken,<\/p>\nToward those butterflies that lost their dreams under water<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>.<\/p>\n <\/p>\nEven if we won\u2019t be able to return from there,<\/p>\nFrom the rotten and deceptive world of thieves,<\/p>\nEven if we die confronting it with only our burning hearts,<\/p>\nWe go to the square, because we can no longer \u201cstay still\u201d<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a><\/p>\nAs we cannot close our eyes<\/p>\nTo the truth drowned in that cold sea.<\/p>\n <\/p>\nWe shout, flapping the wings of the children who could never fly,<\/p>\nFrom the heart of the farmer that stopped because of a water cannon,<a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a><\/p>\nWith the faces of the workers imprisoned and fired.<\/p>\n <\/p>\nYou, thieves, you, robbers, you, darkness, can you see?<\/p>\nThe candlelight<\/p>\nIn the hands after hands of everyone,<\/p>\nFrom the cute, tiny hands of young children to the wrinkled hands of the gray-haired;<\/p>\nThe river of candlelight, overflowing with wrath;<\/p>\nThe sea of this square,<\/p>\nWhere the lives burn only to flare up again and revive as new lives.<\/p>\n <\/p>\n <\/p>\n <\/p>\n<a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> This stanza refers to the Sewol ferry disaster.<\/p>\n<a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Students in the Sewol Ferry were told to stay where they were after the ferry began sinking. Although many of them did not follow this instruction and escaped to survive, those who obeyed the official announcement drowned.<\/p>\n<a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> This refers to an incident in 2015 in which a 68-year-old farmer, Baek Nam-gi, was struck by a police water cannon while protesting during an antigovernment demonstration and died afterward in a hospital.<\/p>\n","protected":false},"excerpt":{"rendered":"  \uad11\uc7a5\uc758 \ubc14\ub2e4\ub85c \uac00\ub2e4 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(\uc2dc\uc778 :\ubc15\uc7ac\uc6c5)   \uad11\uc7a5\uc73c\ub85c \uac04\ub2e4 \uac15\uc774 \ub418\uc5b4 \uac04\ub2e4 \ucd1b\ubd88 \uc18d\uc73c\ub85c \uac04\ub2e4   \uc5b4\ub450\uc6e0\uac70\ub098 \ucd95\ucd95\ud55c \uace8\ubc29\uc744 \ub098\uc640 \uc2a4\uc5b5\uc2a4\uc5b5 \uc55e\uc11c\ub77c \ub4a4\uc11c\ub77c \uc54a\uc544\ub3c4 \uc800\ub9c8\ub2e4 \uc2dd\uc5b4\uc9c4 \uc2ec\uc7a5\uc5d0 \ubd88\uc744 \ubd99\uc5ec \uc5b4\ub460\uc758 \uc18c\uad74\ub85c \ucff5\u2015\ucff5 \ub2ec\ub824\uac04\ub2e4   \ucc28\ub9c8 \ub208 \uac10\uc9c0 \ubabb\ud558\uace0 \ub9de\uc774\ud55c \uc544\uc774\ub4e4 \uac80\uc740 \uc2dc\uac04\uc758 \ubc14\ub2e4\ub85c \ubb3c\uc18d\uc5d0\uc11c \ucc98\uc808\ud788 \uafc8\uc744 \uc783\uc740 \ub098\ube44\ub4e4 \uacc1\uc73c\ub85c \uac04\ub2e4   \uac00\uc11c \ub3cc\uc544\uc624\uc9c0 \ubabb\ud558\ub354\ub77c\ub3c4 \uc369\uace0 […]<\/p>\n","protected":false},"author":1,"featured_media":2123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[116],"_links":{"self":[{"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/posts\/2049"}],"collection":[{"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/comments?post=2049"}],"version-history":[{"count":3,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/posts\/2049\/revisions"}],"predecessor-version":[{"id":2122,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/posts\/2049\/revisions\/2122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/media\/2123"}],"wp:attachment":[{"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/media?parent=2049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/categories?post=2049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/koreanlit.com\/wp-json\/wp\/v2\/tags?post=2049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}